Best One Location Movies: 10 Films That Never Leave the Room
A single location film removes the escape hatch. There is no cutting away to a car chase, so everything has to come from writing, blocking and faces, and when it works the effect is closer to theatre than to most cinema. 12 Angry Men is the perfect example and the best place to start. Rear Window is the most pleasurable. Rope is the most technically audacious. If you want to see how much a film can do with almost nothing, this is the list.
12 Angry Men (1957)
One jury room, twelve men, ninety six minutes. Lumet slowly lowers the camera and lengthens the lenses through the film so the walls appear to close in, and almost nobody notices while it is happening.
The best argument ever made that a film needs a room and a script and nothing else.
Rear Window (1954)
Hitchcock never leaves the apartment, and the whole world arrives through a window. James Stewart cannot move and neither can you.
Rope (1948)
Hitchcock again, staged to look like one continuous take, in one apartment, with a body in a chest in the middle of a dinner party. A stunt that becomes genuinely unbearable.
Das Boot (1981)
A submarine counts. Wolfgang Petersen keeps you inside the hull for three and a half hours until the air feels thin. Watch the longest cut you can find.
Coherence (2013)
A dinner party, a comet, and a premise that unfolds with almost no money and enormous confidence. The deep cut, largely improvised, and best watched knowing nothing.
Buried (2010)
Ryan Reynolds in a coffin for ninety minutes. It sounds like an endurance test and it is a genuinely well made thriller.
The Man from Earth (2007)
A group of academics in a living room, listening to a colleague make an impossible claim. All dialogue, no budget, and quietly gripping.
Dog Day Afternoon (1975)
Mostly one bank on one hot day, and one of the great performances. The location does the work of a pressure cooker.
Locke (2013)
Tom Hardy alone in a car for eighty five minutes, taking phone calls while his life comes apart. The purest version of the form.
Cube (1997)
Strangers wake in a lethal geometric maze with no explanation. Made for very little and still one of the most ingenious low budget films ever released.
- Removing the escape hatch forces everything into writing, blocking and faces.
- Start with 12 Angry Men, then Rear Window for the most enjoyable version.
- For deep cuts, watch Coherence and The Man from Earth, both made for almost nothing.
- Locke is the extreme case: one man, one car, eighty five minutes, no flashbacks.
The whole idea
Watch one movie this week. Talk about it Friday.
We pick one film. You watch it alone, on your own time. Friday at 7:30pm PT you get ten minutes on Zoom with one other person who watched it too. No club, no homework, no small talk.
See this week's pick $5Common questions
- What is the best single location movie?
- 12 Angry Men (1957). It is the model for the whole form and still the most complete example of what a room, a script and twelve actors can do.
- What is a bottle movie?
- A film shot almost entirely in one location with a small cast, usually for budget reasons. The constraint tends to push the writing and performances up, which is why so many of them are good.
- What should I watch after 12 Angry Men?
- Rear Window for a more playful version, Coherence for the modern low budget one, and Locke if you want to see the idea taken to its limit.